The used into the play. Anderson and

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The play based on the book Cry, the Beloved Country was created by Kurt Weill a German as the composer and an American Maxwell Anderson as a lyricist. They named the play Lost in the Stars and Anderson found the order of activities in the book to be interesting and opted to bring the Myth of Ulysses into it. Anderson wrote to Paton before starting on the play to get the permission to use his work. Anderson explains in the letter that “the khumalo story took such hold on me that I decided I’d like to try to arrange it for the stage” (Avery 1977:221).Alan Paton on getting the request got interested and opted to help in the play by providing some African music that could be used in the casting an offer that was turned downed since Weill wanted to write an American opera based on an American popular song. This led to reduced correspondence between Paton and Weill and Anderson. Paton was invited to meet the creators and cast of Lost in the stars and watch a rehearsal of the play which he said brought about painful experiences though it was unnerving at times.

He made it clear that the idiom of the play was different and that there were parts that presented the language used in his book.Paton and Anderson never seemed to be getting along smoothly and he considered the cold relation between them not to upset him. The work on the Lost in the Star gathered momentum only after thefirst year and this caused Weill to work with considerable speed in coming up with the lyrical to be used into the play. Anderson and Weill had approached Mamoulian who was working on another play Arms and the Girl to come and direct their play.

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Mamoulian was intrigued by the project that he postponed his play to direct Lost in the Star. He was a veteran of Broadway and they felt that he could the difficult play through due to the experience he had gathered forAnderson found himself in conflict with Mamoulian at …


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